![Shinkichi Tajiri, Vertical Overhand Knot, 2008](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/mayorgallery/images/view/f1d303c5c8242dfa0c859975e1a4934dj/themayorgallery-shinkichi-tajiri-vertical-overhand-knot-2008.jpg)
![Shinkichi Tajiri, Vertical Overhand Knot, 2008](https://artlogic-res.cloudinary.com/w_1600,h_1600,c_limit,f_auto,fl_lossy,q_auto/artlogicstorage/mayorgallery/images/view/e2f8fe97db43bc5cc5a94303efc6e66cj/themayorgallery-shinkichi-tajiri-vertical-overhand-knot-2008.jpg)
Shinkichi Tajiri Dutch-American, 1923-2009
Aluminum
37 5/8 x 9 7/8 x 10 1/4 inches
"In 1967 I wanted to make a sculptural statement that would cut through all the mystification that I felt was invading the art scene. Sculptures that would be instantly communicable to everyone and at the same time formally timeless. This was the beginning of the Knots." Quote: Shinkichi Tajiri
Provenance
Private collection, The NetherlandsShinkichi Tajiri Estate, The Netherlands
Exhibitions
Leiden, The Netherlands, SieboldHuis, Shinkichi Tajiri Universal Paradoxes, 2015
Salernes, France, Herman Krikhaar Foundation, ZEN: Eugène Brands & Shinkichi Tajiri, 2016
Literature
Westgeest, Helen, Universal Paradoxes, 2015, ill. p. 42, 105
van Grevenstein, Alexander, "A Boy's Dream", Shinkichi Tajiri, The Mayor Gallery, 2017, ill. p. 57